Rust is a phenomenon characterised by the corrosion or oxidation of a metal surface, typically arising when iron undergoes a reaction with atmospheric oxygen and moisture, resulting in a distinctive reddish-brown coating on steel. Often construed as an indicator of material deterioration and decay, rust is commonly associated with negative connotations, implying neglect and nuisance. However, it is imperative to recognise that oxidation is an intrinsic and inevitable process inherent to metals and objects, dictated by environmental conditions.

What if, instead of merely combating rust as a sign of decay, we could embrace its natural essence—removing it from its original context and transferring this inherently natural process onto other mediums? By doing so, rust transforms from a symbol of deterioration into a unique and intentional print, preserving its organic formation as an imprint of time and environment. This approach not only redefines rust as an aesthetic element but also creates an emotional connection by reflecting impermanence, transformation, and memory.

Contrary to prevalent perceptions, stopping the progression of rust, once initiated, proves to be a challenging endeavour to entirely cease its occurrence. This prompts a question: is it conceivable to control the rusting process and ultimately transform it by separating it from the material on which it naturally forms?

Rustic Horizons seeks to transfer rust from metals to materials that oppose its natural environment, such as polymers, organics, and ceramics. By deliberately interrupting and redirecting the conventional course of rust formation, the process reimagines rust as more than just decay. Instead, it becomes a marker of time and individuality, celebrating its distinctive hues, textures, and weathered beauty while preserving its imprint as a testament to the passage of time.